The Skeeter Daddle Diaries

Hits: 17

Hits: 19

As a person fully dedicated to protecting others from making the same mistakes I keep making, let me share with any of you contemplating guitar luthiery, the sad sorry saga of my last acoustic guitar, the 5th in a series of steep learning curves, inadequate preparations, insufficient tools and, well, a dearth of about everything except moxie. Moxie I got plenty of. Too much maybe. Einstein’s definition of insanity, that repeating your same mistakes and expecting better results, totally applies to me. Sadly. But since I pretend to be a so-called artist, I can justify my guitars, not as failures, but as artistic ‘gestures’, works in progress, evolutionary aesthetics.

My last gesture was a nice little black limba guitar, what professionals in the trade would call a parlor guitar. What I call a small guitar. But big on interesting woods in the neck and body, details like tailpieces and side soundholes and pickguards that set it apart from other guitars. Trouble was, my original redwood top had sagged with the tension of the strings and an experimental bracing system underneath. Like mostly all the other four gestures, this one needed to be dismantled and repaired. The redwood top broke when I pried up after using a blowtorch to loosen the glue holding it to the body. Bummer, man. And then when I tried to remove a block holding the neck, the entire front end of the body shattered.

Now ordinarily, being prone to fits of anger management, I would have taken the rest of the ruined instrument and beaten it into shards and slivers while hollering obscenities and slapping myself in the face repeatedly. All that work, so much time, came to nothing. Not only hadn’t I learned from previous mistakes, this fifth iteration was now the ultimate testimony that perhaps I was not cut out to be a guitar luthier. Maybe not even a woodbutcher. Just a complete and irredeemable failure. Sure, I cried, I wailed, I went through depression, I swore on Clapton’s guitar I would never attempt another one.

But dammit, I’m an artist and if there’s one thing I’ve learned being an artist, it’s … well, I’m not really sure I’ve learned anything. Except maybe you have to keep going. Every painting can’t be a Picasso, every glasswork can’t go into the cathedral of Notre Dame, you just have to have faith in yourself even if no one else does, even if the last work was ruined. So I got this idea looking through my box of scrap woods and found a few pieces of matching black limba. Enough to cut away the entire front of that broken box and use it to span the breakage. Instead of a nicely rounded top where the neck attaches, mine was flat. A flat top. What most people think of as the flat soundboard versus an archtop, mine was flat both places, a true Flat Top, possibly the prototype for an evolutionary shift in guitar luthiery. Once again great leaps forward sometimes have their genesis in mistakes. Okay, not mistakes, ‘gestures.’ Feel free to try this at home. Whaddaya got to lose, right?

Hits: 17